The Seattle Choral Company's
History & Accomplishments
"The versatile Seattle Choral Company has more strings to its bow than most
realize when attending one of its excellent concert performances in Seattle. For
instance, you’ll hear its voices on dozens of promotional film tracks, from King
Kong and The Chronicles of Narnia to Planet of the Apes.
When you go to see Pacific Northwest Ballet’s Carmina Burana, the voices
are, again, those of the SCC.
The 100-plus voices of the 26-year-old chorus are knit together by the vision and
leadership of Fred Coleman, its founding conductor. Coleman has always had an adventurous
mind when it comes to programming, and the SCC’s latest concert showed it at Benaroya
Hall Saturday afternoon."
Philippa Kiraly, The Gathering Note, April 2008
Started in 1982 by Founding Director, Fred Coleman, the Seattle Choral Company has
become the Puget Sound region's leading symphonic chorus and one of Seattle's most
accomplished and respected choral organizations. After their 1992 December holiday
concert, The Seattle Post Intelligencer praised founding director
Fred Coleman for "eliciting a beautiful choral sound from the singers."
In March of 1993 The Seattle Weekly praised the Company's "beautifully
conceived performance (of Brahms' A German Requiem) — tender and
joyful, upbeat, and even triumphant."
In June of 1994, The Seattle P-I again applauded the conductor
and chorus for a performance which was "first class in its own right. . . At
this concert, Coleman elicited performances which were exciting, vital, even thrilling
to hear." On June 1 of 1998, The Seattle P-I wrote, "Seattle
Choral Company's performance reached a clear, sweet purity of tone (and) sounded
exquisitely beautiful . . . It became a moving experience . . . Again and again,
the different voices would come together on a perfectly pitched chord, such as can
give intense pleasure."
In November of 2001, the Seattle Choral Company was proud to present a major concert
event as part of the City of Seattle's grand Sesquicentennial Celebration,
honoring the 150th birthday of the founding of Seattle. For that occasion,
the SCC commissioned a new choral work, titled, Seattle, by New
York composer, William Hawley. Mr. Hawley chose as his text the famous 1854 Treaty
Oration of Chief Seattle and scored the work for two choruses, large symphony orchestra
and four soloists.
Now celebrating their twenty-seventh season, the Company will attract over 100 volunteer
singers, 65 professional instrumentalists and numerous distinguished vocal artists
from the Pacific Northwest. We are proud to have added to our artistic staff this
season six resident vocal artists, who comprise a faculty of vocal soloists and
instructors.
The Company has appeared on several occasions as guest artists in Pacific Northwest
Ballet's dance productions of Carmina Burana and Hail to the
Conquering Hero, the latter featuring choruses by George Frideric Handel.
The SCC has joined the Seattle Symphony Orchestra at Benaroya Hall for performances
of Those Glorious MGM Movie Musicals and Gershwin's Porgy and
Bess. In December of 2006, the SCC returned to Benaroya Hall as guest
artists of the Seattle Symphony in Holiday Pops with Doc Severinsen
and New Year's Eve with the Seattle Symphony.
The SCC has begun the current season as invited participants in the tenth anniversary
celebration of Benaroya Hall, called A Day of Music and Art.
For the occasion, the SCC performed Gabriel Fauré’s magnificent
Requiem together with the Watjen Concert Organ and received
a warm, standing ovation from music lovers in attendance.
In October of 1994, the Company released its first compact disc recording titled,
The Moon Is Silently Singing, including contemporary cathedral
works by such news-making composers as Arvo Pärt (Estonia), Henryk Górecki (Poland)
and John Tavener (England). The album was among the Top Ten best selling classical
CDs in Greater Seattle during 1994. To date the album has sold over 4,000 copies
in North America, and internationally via the Internet.
In October of 1997 the Company issued its second compact disc recording titled,
When the Morning Stars Sang Together—a collection of a cappella
works by twentieth century composers—which the Seattle P-I recently praised by stating,
"The singing is precise, rich and full of grace, with excellent balance and
clear high voices."
In June of 1999, the SCC recorded Carl Orff's Carmina Burana with
full orchestra and soloists and the CD was released in time for their Millennium
Celebration on New Year's Eve, 1999. About the album, The Seattle Times
wrote: "This Carmina Burana packs the punch
of a live performance, with first-rate soloists and an orchestra including some
top local players. Fred Coleman draws a lot of excitement, power and well-focused
singing from his performers."
On the first anniversary of the 9/11 attack, the Company was joined by the Cascadian
Chorale, the Bellevue Chamber Chorus, and the Bellevue Philharmonic Orchestra in
a public memorial to the victims of the September 11 terrorist attack. This free
public event was hosted by the Seattle Choral Company at Bellevue Square and featured
the renowned Requiem by Wolfgang Amadeus Mozart as part of a worldwide
series of memorial concerts, called the Rolling Requiem.
With vision and a passion for music, members of the Seattle Choral Company have
sought to encourage an active interest in the performing arts and to foster community
and understanding in the Pacific Northwest and around the world. Company members
shared their talents in such faraway places as the former Soviet Union (1986) and
at the 1988 World Exposition in Brisbane, Australia. In 1988, SCC members were proclaimed
Seattle's Cultural Ambassadors to the Australian Bicentennial by then Seattle Mayor
Charles Royer. The group received still further recognition for their Australian
visit by a resolution drafted by the Washington State House of Representatives.
The Seattle Choral Company is honored to have been funded for twelve consecutive
years by the prestigious Arts Fund, a consortium of the region's
largest corporate supporters of the arts. We have also received independent local
support from the Microsoft Corporation, The Boeing Company, Clark Nuber, SAFECO
Insurance Companies, Lane Powell Spears Lubersky, the Washington Mutual Foundation,
and the Nesholm Family Foundation. The SCC also receives funding support from the
United Way of King County.
Members of the SCC have made city-wide appearances at such places as the Downtown
Out-to-Lunch Series, the Argosy Christmas Ship, the Westlake Center, the Bellevue
Wintergarden, the Boeing Museum of Flight, the Museum of History and Industry, the
Bumbershoot Festival, Seattle Jaycees' Christmas Candlelight Carol (to benefit Northwest
Harvest), and the Goodwill Games Welcoming Ceremony.
The Seattle Choral Company has recorded soundtracks for Public Television (Death:
the Trip of a Lifetime), and NBC (Crime and Punishment
and Noah's Ark). The chorus is in demand for film trailer recordings,
aired at theaters and on national television. Selections from their recent album,
Unearthed, have been heard in promotions for a number of motion
pictures, such as Planet of the Apes, Minority Report,
Spider Man, and The Time Machine. Promotional
music for Pirates of the Caribbean, The Return of the King, The Alamo, Van Helsing,
King Arthur, Spider Man II, King Kong, and The Chronicles of Narnia
now features the voices of the Seattle Choral Company, as well.
Fred Coleman has shaped the Seattle Choral Company into the premiere symphonic chorus
of greater Seattle. His finely tuned yet spirited performances have captured the
praise of audiences and critics alike. Maestro Coleman has led the SCC on a journey
through many of the most glorious choral works ever written—including the Berlioz
Te Deum, Prokofieff's Alexander Nevsky, Orff's
Carmina Burana,Beethoven's Choral Symphony, Haydn's
Creation, and Bach's St. John Passion. He has
also championed America's finest contemporary choral composers, bringing to local
audiences a number of significant new choral works, offering area listeners their
first live hearing of such works Arvo Pärt's Te Deum, Phillip Glass'
Itaipu, Hawley's Songs of Kabir, Roxanna Panufnik's
Westminster Mass, and Morten Lauridsen's Lux Aeterna.
Additionally, he has supported gifted Seattle composers, such as Donald Skirvin
and Bern Herbolsheimer. The Seattle Post-Intelligencer recently
applauded this commitment, stating "it's not surprising that Coleman…would
devote an entire program to contemporary music. He has long been an advocate for
living composers."
On March 9, 1996, the SCC Chamber Choir was honored to have been invited to perform
in Spokane for the Northwest Division Convention of the American Choral Director's
Association, joining the finest school and college choirs in the region
of Washington, Oregon, Idaho, Montana, Wyoming and Alaska.
The artistic growth of the organization—as well as our programming innovations—have
attracted new audiences to live concerts in increasing numbers. On December 31,
1991, the Company began a new community tradition for the celebration of New Year's
Eve at the elegant 5th Avenue Theatre. This event has proven to be enormously popular
among patrons seeking an alternative social activity at this time of year. For three
holiday seasons, the Company presented Christmas at Benaroya Hall,
a new community tradition featuring a wide array of classical masterworks and traditional
holiday music presented in the wondrous acoustics of the new Benaroya Hall. This
concert format is patterned after the successful Christmas with the Atlanta
Symphony & Chorus, as designed by the late Robert Shaw. The Seattle
concerts have been annual sell-outs, ensuring another new holiday tradition for
Seattle area listeners.
The Seattle Choral Company looks to the future with a record of successful and enriching
performances and artistic achievement.